Some botanical terms ring of judgment. One example is the pairing of superior and inferior, basically indicating “above” versus “below.”
Those words can be heavily loaded in literature and street language, associated with evaluation and assessment. Analyzing Goldsmith (in comparison to Johnson), Isaac D’Isreali concludes: “He might have thought, that with inferior literature he displayed superior genius, and with less profundity more gaiety.” (Miscellanies…, New York, 1841, Rare Books 124749)
Relative position permeates fiction, as with Pip’s observations in Great Expectations: “At the time when I stood in the churchyard, reading the family tombstones, I had just enough learning to be able to spell them out. My construction even of their simple meaning was not very correct, for I read ‘wife of the Above’ as a complimentary reference to my father’s exaltation to a better world; and if any one of my deceased relations had been referred to as ‘Below,’ I have no doubt I should have formed the worst opinions of that member of the family.” (Rare books, first edition, 3 volumes, 122367)
In the more objective world of plant biology, the terms superior and inferior are purely positional, absent emotion. Description is matter-of-fact – the ovary is above (superior to) the petals and stamens, or appears below them (inferior to the stamens, petals, and sepals), avoiding the truth that location is not the simple development you might imagine from descriptions of a flower’s ovary. When the ovary is visible inside the flower, atop the point where sepals, petals, and stamens emerge, it’s simply superior.
Botanists present the superior ovary as the normal condition, to some extent because it’s what we see in the earliest flowering plants, but also because plants bearing superior ovaries, such as tulips, oranges, and tomatoes are straightforward and easy to explain. The floral stem (the receptacle) produces whatever parts it will, and then retires to a nice life, enlarging as needed to support any maturing fruit.
If, however, the sepals, petals and stamens are on top of the ovary, if the ovary appears beneath those flower parts, then it is inferior. Search the web and you’ll find many simple illustrations of inferior ovaries that attempt to explain development. But the situation is more complex when you cut into flowers, searching to understand structure and sequence in development. Most critically, regardless as to whether the ovary is deemed superior or inferior, anatomists tell us the flower generated its pistil (including the seed-bearing ovary) last, at the tip of the receptacle. This means any sepals and petals were formed (botanists say “laid down”) before-hand.
It’s a morphologist’s challenge to determine how an ovary, which necessarily forms at the flower tip, appears below the stamens, petals and sepals that were produced earlier. For some of the simplest examples, we look to the Cucurbits (Cucurbitaceae, the melon family, including squashes, pumpkins, cucumbers, gourds, etc.,) all of which are inferior.
Even though the Cucurbit flower sits atop its ovary, we know for certain something happened to reverse positions. We see this in many groups of flowering plants, but the method varies, and that has been an issue for botanists: “The problem of interpretation of the inferior ovary has been one of the most controversial and long-debated topics of plant morphology.” (Kaplan, 1967)*
In the case of melons and squashes, the answer may lie in its the receptacle – the stem that makes the flower and, eventually, supports the fruit. The melon receptable is not so simple as that of an orange or tomato flower. At least, we learn Judson, in his 1929 study of cucumber,** believed that early in bud development, the receptacular tissue mounds around and tops the ovary. That would mean the outer layers of a cucumber are really stem tissue, surrounding the seed-filled ovary.
This means we must imagine a developing flower in which the receptacle doesn’t go into semi-retirement once it has initiated a pistil. Rather, while on some hormonal trip, the stem is directed to completely wrap around and above the ovary, carrying other flower parts with it, up-ending the apparent order in the process. Sepals and petals, which most textbook floral diagrams show below the terminating ovary, are now above. According to Judson, this is how you have melons, cucumbers, pumpkins, and other kinds of squash.
Other researchers would support the idea that the outer layers of pepos (Cucurbit fruit) are purely floral tissue (sepals, petals, and stamens) growing together around the ovary. That idea, is summarized as the “appendicular theory” as contrasted with Judson’s insistence that the outer layers are made of stem tissue – now called the “receptacular theory.”. It isn’t simple, so nature of pepos remains something of a mystery.
Beyond the complexities of inferiority, melons and squashes harbor other secrets. Practically all are vining, and are generally “monoecious” – which means the vine produces two kinds of flowers, pollen-bearing (male) and pistil-packing (female.) Gardeners know this, they’ll tell you that only flower buds showing an ovary underneath will yield fruit. Check out the cucumber below – there she blows, or grows.
Cucurbit fruit have their own terminology; they’re called pepos. In cross-section, you’ll note seed develop in fertile zones (typically three) along the thick inner fruit wall, rather than from a central axis. This becomes especially obvious in pumpkins and gourds that turn hollow at maturity.
Culinarily, melons are known for their refreshing taste; almost every ancient culture cultivated one or more kinds.
We readily think of cantaloupe, pumpkins, and watermelons, perhaps because of their size and color. But the most appreciated of the family might be cucumbers, which have been cultivated and loved for millennia.
Though common, there’s something eccentric about cukes. I learned, unexpectedly, that some artists have featured cucumbers in decorative motifs, particularly Carlo Crivelli (c. 1430-1495), who seemed to hang a cucumber in almost every sacred image he created. Perhaps the fact that the Italian word for cucumber, cetriolo, is just a bit similar to his own name meant the cuke became Crivelli’s way of planting himself in the paintings.
More horticultural, and intensely literary, I was delighted to discover William Cowper’s didactic poem “The Garden”, in his fascinating book The Task …***(Huntington Rare Books 124137). Written in response to a simple challenge, Cowper demonstrates his ability to poetize the most seemingly mundane topics. In “The Garden” he includes an extensive description of the gardener cultivating hothouse cucumber crops. Some excerpts:
Raising Cucumbers.... To raise the prickly and green-coated gourd, So grateful to the palate, and when rare So coveted, else base and disesteemed— Food for the vulgar merely—is an art That toiling ages have but just matured, And at this moment unessayed in song... The seed, selected wisely, plump, and smooth, And glossy, he commits to pots of size Diminutive, well filled with well-prepared And fruitful soil, that has been treasured long ... Indulged in what they wish, they soon supply Large foliage, overshadowing golden flowers, Blown on the summit of the apparent fruit. These have their sexes, and when summer shines The bee transports the fertilising meal From flower to flower, and even the breathing air Wafts the rich prize to its appointed use.
“My words fly up, my thoughts remain below: Words without thoughts never to heaven go.” Shakespeare’s Hamlet
*Donald R. Kaplan, 1967. “Floral morphology, Organogenesis, and Interpretation of the Inferior Ovary in Downingia bacigaluph.” Amer. J. Bot 54(10): 1274-1290 https://www.jstor.org/stable/2440367?seq=1#metadata_info_tab_contents
“A study of the early stages and of the vascular arrangement (cucumber) indicates that the outer tissues of the inferior ovary are of receptacular nature, and are not made up of the fused bases of sepals, petals, and stamens.”
**J. E. Judson, 1929. “The Morphology and Vascular Anatomy of the Pistillate Flower of the Cucumber” Am. J. Bot 16(2): 69-82 plus plates. https://www.jstor.org/stable/2435882?seq=1#metadata_info_tab_contents
***The Task and other poems, William Cowper. free Project Gutenberg ebook, 1899 edition: https://www.gutenberg.org/files/3698/3698-h/3698-h.htm